Saturday, September 29

you know who you are, this is for you


previous episodes: [to anybody who came close] no don’t touch me it hurts it hurts it HURTS don’t touch me leave me alone don’t move closer you’re breaking the barriers you’re breaking the barriers you’re tearing them down defend defend DEFEND...

now, on this episode: where have all the defences gone?

you draw me in your arms and they’re gone. i don’t understand. where are they? they’ve melted like cotton candy in the heat of a mouth, swirled away to trickles of sweet pink that stay in my mouth, doesn't go stale, twined away to my mind.

ice cycles

icicles

popsicles

of artificial flavouring

small fake sweetness manufactured

and the ice of tainted tap water

trickles down the sides of mountains

to pool at your feet.

to soar up to be plucked by the aching sun

to form baubles of frozen on branches

that you pluck and delicately consume

in a foreign, frozen wasteland.

flaring up the trashdump

like a crimson fire -- i told you pheonix

as an symbol for my rebirths, but

i meant the cycle of ice

deviant from the hydrological

since it never melted.

until you.

Friday, September 28

tom ripley:
i always thought it was better to be a fake somebody than a real nobody.
they're going to tire of me, and then they leave. they always get tired. either in general, or of me. if they haven't yet, they will.

i love you.
peter smith-kingsley:
can you imagine, if dickie did kill freddie, what must that be like? to wake up every morning, how can you? just wake up and be a person, drink a coffee...?
tom ripley:
whatever you do, however terrible, however hurtful - it all makes sense, doesn't it? inside your head. you never meet anybody who thinks they're a bad person or that they're cruel.
peter smith-kingsley:
but you're still tormented, you must be, you've killed somebody...
tom ripley:
don't you put the past in a room, in the cellar, and lock the door and just never go in there? because that's what i do.
peter smith-kingsley:
probably. in my case it's probably a whole building.
tom ripley:
then you meet someone special and all you want to do is toss them the key, say open up, step inside, but you can't because it's dark and there are demons and if anybody saw how ugly it was...
peter smith-kingsley:
that's the music talking. harder to be bleak if you're playing knees up mother brown.
tom ripley:
i keep wanting to do that - fling open the door - let the light in, clean everything out. if i could get a huge eraser and rub everything out... starting with myself... the thing, is peter, if...

to me from me


don't bother saying sorry
why don't you come in?
smoke all my cigarettes - again.
everytime i get no further
how long has it been?
come on in now
wipe your feet on my dreams.

you take up my time
like some cheap magazine
when i could have been
learning something
well, you know what i mean.

i've done this before
and will do it again
c'mon and kill me baby
whilst you smile like a friend
and i'll come running
just to do it again.

i can't believe it
that this is still going on
just how stupid can one person be?
just how stupid and wrong

you are the last drink i never should have drunk
you are the body hidden in the trunk
you are the habit i can't seem to kick
you are my secrets on the front page every week.
you are the car i never should have bought
you are the train i never should have caught
you are the cut that makes me hide my face
you are the party that makes me feel my age.

like a car crash i can see but i just can't aboid
like a plane i've been told i never should board
like a film that's so bad but
i've just got to stay til the end
let me tell you -
it's lucky for you that we're friends.
--pulp

Thursday, September 27

what a horrendous way to end your birthday schoolweek. with your chinese teacher giving out your ca marks and you found out you a) failed, and b) got the lowest in class.
i don't fucking get why people think that i'll do so well. they only see the ca marks, and i don't fucking need them to moon over their results (viz. which they haven't got back yet) and fling handfuls of slime at themselves, because they're under the impression that somehow, thanks to whatever godawful psychic ability they have, that they're going to fail, and "oh my god, this is so sucky, i'm so sucky, i hate you for getting so high!!!!!"

i do not fucking need that.

i'm sorry to whoever is reading this, since you're probably going to be one of those people. i'm sorry for ranting, but i. cannot. take. this.

i can't let you touch me because the voices are screaming too, too loud that all your sympathy is based on the presumed assumption that i'm just throwing a fit because i'm just a brat being anal about results, it's just this little thing that zhiying has and they're so much worse off but they have to pretend to and the voices are screaming over and over and over and over that they're going to want to hurt you, they want to deceive you that they care for real and everything's been a grand charade, a trick orchestrated by them because they don't care, they push me in the face out of the way and leave me to bleed in the pei hwa library, staring fixedly at a page in the book because i'm willing myself to kill the tears, and only leave when the library closes to find them gone and my bag, previously on the bench, on the floor.

because they don't care. they never wanted to care. you're just a toy, a thing to be used and discarded like your own fucking bag across the floor, blackened by the flaking cement, unable to pick itself up. and the library's locked up and the librarian who practically grinned her face open when somebody finally came in and read in earnest has gone and the sound of her court shoes has faded out ages ago and you're all alone in a school you never really liked anyway.

so, the voices say, i have to hurt them back.

and the anger and the hate and the betrayal and the fucking sadness of all those moments just condense into one [where you find out they really don't care about you, all those times you waved to them they only waved back out of decorum, and the realization they never waved first to you] and you just need to lash out at somebody, anybody but you can't. and that just crawls up your throat so you can't breathe, can't do anything, can't think, can't touch, can't move, can't feel, can't see.

because once you let them touch you, once you let them get under your skin and stay there, they're going to whip out the knife they've been hiding all along and carve your heart out again. and my heart, it's so tired of being put back, of being held in my hand because i need to find someone to put it back, i can't do it myself, would someone help me? would someone love me?

and i know there are people who'd do that, and there are people who do, but i'm filled with doubt i know is stupid and useless and redundant because they say they do but voices they're just voices just like the voices in my head and saying words, just words and one of them is lying but i can't tell which one because i'm too confused, too confused, i can't do anything anymore, breathing is a problem, let alone thinking straight. but the voices don't care for me either, they're out to save themselves, to radiate from me and seep into other people's minds and slowly kill them too [you're giving off bad vibes], they're too loud, they drown out everything and everything else is too loud too sharp too bitter too salty too grainy too loud too much and i feel like i'm going to explode.

fuckfuckfuckfuckfuckfuckfuckfuckfuckfuckfuckfuckfuckfuckfuckfuck.

Tuesday, September 25

theakeaston thirteen


[yes, i did make that up. it makes me feel that i should be in a subway leaning against something and watching the cars pass by in flashes of luminescent orange and yellow, like on late-night television traffic news, on the way to... uhm, somewhere. quiet and peaceful and fast and going places and flashy all at once. a paradox within a contradictory paradox. because a) i would never be allowed to go on the subway at night alone, and b) there is no subway in SG, just the MRT with it's stupid boring name. but i would gladly settle for being on the MRT at night leaning against rox. i would settle for anything nice involving rox. *grins*]

*bellows* it's my birthday, and i've got nopartytocryin, gotnopartyto cry in, gotnopartyto cry in, you would cry too if you didn'thaveone too! [damn those exa-a-a-ams!]

so i'm thirteen. woo. i'm still too young to drive, drink, have sex, buy cigarrettes, buy a car, buy an apartment. HOWEVER, i'm officially an official teenager.

I HAVE A LISCENCE TO ANGST! i'm LEGAL!

*laughs*

rox made this incredibly, incredibly sweet post at her blog. oh god... whenever i think about that post i think i'm going to burst out in happy tears or start uncontrollably grinning happily. either way, it makes me really really really happy. it makes the fact that i can't go out on my own birthday tolerable.

*hugs rox* love you. you, you make it all worthwhile.

*skips out, grinning*

Monday, September 24

ooohh... rox called me her baby.

i like that.

::grins madly::

today was nice. i actually learnt how to prime factorize and i think i got it in my head at last -- after eight months struggling with it you'd think i'd learn, but nooooo... but i got it now. and also i had a few blissful moments of superiority when my fellow tuition-mates couldn't get the answer, but i could. then they went "ohhhhh" and then shot ahead of me by light-years in understanding, and proceeded to understand reverse formulae-thingys. hey, it was good while it lasted.

and my tuition teacher does not get why i must snicker hysterically when charmaine puts a plastic candy box over her lips and sucks her mouth out. little brain of hers. cannot comprehend the complex emotions i go through.

and rox called me her baby. did i mention that?

::face cracks from grinning::
bleargh. chinese oral tomorrow. i have to converse with the teacher intelligently, in mandarin, like she's a normal human being...

somebody get out the vogon poetry now.
ohhhhhhhhhhhhhhhhhhh maaaannnnnn...

if i had that right now, i think i'd go all tingly and glowy -- like after sex.

unfortunately, Dairy Queen has moved out of wonderful ol' SG... and now there are NO MORE OUTLETS IN THIS HELLHOLE!!!

if the morons who lived here had any conception of how wonderful that place was... grrrr.

somewhere in america, a kid has got the one thing i would gnaw my little finger off for in his hand and the little nimrod is licking it and thinking, i like fundae's better.

DIE!!!

i want candy


no, not really. but what i reeeeeeeeaaaaaaally want is that ol' Dairy Queen wonder-of-all-things-sinful Delight... the soft vanilla cone that they would dispense out of a tube in swirls of snowy white... and then they would grab it by the cone and dunk it in a vat of hot fudge chocolate!

*shrieks*

and then it would dry... and oh god, you would have the most horribly sweet thing on this side of the crustal plate... SOFT VANILLA ICE CREAM IN A SHELL OF CRUNCHY CHOCOLATE!!!

oh my god...

*whimpers*